Small surreal paintings
These two Small surreal paintings are titled Cycles of Habit and Sombre Landscape. They are both mixed on canvas and 42 * 29 cm in size. This has become a standard size for many of my small surreal paintings. Most of these works are actually situated in the small masters works page of this website. They have been added to a book I’ve compiled and left at the Professional Centre for viewing. This will be the first of many similar books of Small surreal paintings I hope to compile. Many of these small have sold, so they are proving to be quite popular.
Cycles of Habit
You can also see some of them in the Surreal Mixed Media section of the website. I create most of these works through a purely improvisational approach. The paint goes on spontaneously from the outset. Often I work on about thirty or more of these works or more at a time. The layers are built up over a few weeks. I may spend an hour doing one layer on one, then another half hour doing a layer on another and so on. Occasionally ink is added to add depth, colour or vibrancy to the works.
Cycles of Habit incorporates ink into the design while Sombre landscape is done purely in oils.
Emerging Joys – a new painting.
Emerging Joys is another new painting showing at the Professional Centre. Here it is.
This painting can be found in the Surreal Mixed Media Paintings section of this website. All the details can be accessed in the usual way.
Like many of my surreal mixed media paintings this work has been improvised from start to finish. The paintings is built up in layers of mostly oil paint. Ink has also been added to give the work a colourful edge which gives the painting the feeling of joy it expresses. The colours are mostly light. I have refrained from using darkness in the work to help express the happiness and liveliness of the topic.
An emerging joy can be the most pleasurable and exciting of all joys. When we anticipate something good coming the feeling of excitement is often greater than when the good thing actually arrives. The colours almost have a Christmas feel to them and the predominance of yellow helps to make everything glow. Light smothers everything. There are lights atop of lights in this painting.
While the mostly ink forms give the painting solidity and focus they do not dominate the work. Instead they help to bind the composition and keep the viewer’s eye moving around the work. The painting is only a small one which suggest the idea that the most special joys in lift come from the smallest and most insignificant things.
Master of Arts – Honours.
I’ve started the second year of my Master of Arts (Honours). I’m continuing my exploration of representations of eternity, concentrating on works produced in the last 50 years. Most of the works looked at will be paintings, drawings, installations and new media art. The works will be positioned in relation to the modern Protestant view of eternity.
There will be a brief history of the various interpretations of eternity outlined. Then I will posit what the Protestant idea of eternity actually is. Next I will outline some features of our modern society which have an impact on both spirituality and the production of art. Finally I will catalogue a series of works produced in recent times which I feel explore the concept of eternity in a meaningful way. I was going to include music in my catalogue, but decided that there is not enough room or time to do this.
Lastly I hope to posit an assessment of what may be some useful ways of approaching the idea of eternity both now and in the immediate future.
It should be a lot of fun. I’ll post my final dissertation towards the end of the year.
Unlike the last Masters (which was practice based) this Masters is simply a written dissertation. However, I feel it will inspire me to continue producing works and expanding on ideas which I explored in my Master of Arts (Practice). I am looking forward to producing some new and exciting works on this topic.